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ItвЂ™s important to note that with the developments of REDCINE-X PRO, you can now use GPU rendering instead of needing a Red Rocket card for accelerated transcoding of R3D footage. When monitoring in 4K, you can improve system performance by taking some of the workload off your GPU using a RED ROCKET card, Blackmagic DesignвЂ™s DeckLink 4K Extreme or MatroxвЂ™s Mojito 4K. While many GPUs have greater video rendering power than system CPUs and RAM, remember GPUs need enough power to drive your system display monitors in addition to rendering video. The GeForce cards listed above are a baseline. A comparable, compatible AMD or NVIDIA GPU can be used.

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Online Editing: Dual NVIDIA GeForce GTX 760MДЄlways check the compatibility of your editing software with your video card to ensure that GPU rendering and multiple GPUs are supported. Now that most editing software supports GPU rendering, CPU power is less important than it was in the past. Online Editing: Dual Intel Xeon 2GHz six-core

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Offline Editing: Intel Core i7 2.3GHz four-core

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These specs are good for both PC and Mac since there isnвЂ™t much difference in the hardware. WeвЂ™ll break things down into two categories: offline editing - and limited online work - and online editing, meaning a good entry level for multiple 4K streams, VFX and color grading at or near real-time. Additionally, multi-camera edits, VFX, and tight deadlines typically require a much more powerful system. Editing raw 4K footage takes more horsepower and storage than compressed formats. However, if youвЂ™re working with footage from RED cameras, Blackmagic Ursa Mini or Sony NEX-FS700, the raw 4K files have much higher bitrates, requiring more storage and processing power. If youвЂ™re editing footage from 4K cameras like a GoPro HERO4, JVC GY-HMQ10, or Sony FDR-AX1, then the demands arenвЂ™t much more than that of low compression HD because the bitrates are similar. Recording format makes a huge difference in meeting what your editing system requires. If youвЂ™re working with minimal 4K footage and your final edit isnвЂ™t that long, like a short promo or a music video, offline editing may be a good option for you.Дigital footage formats vary from camera to camera. It can help a less powerful system run more smoothly. Where offline editing takes more time and storage space, it allows you ease in editing your footage.

See вЂњGetting to Know Offline EditingвЂќ for more on this topic. Offline editing can also be a good option if youвЂ™re only delivering in HD. If you donвЂ™t have to deliver right away then you can edit offline. Offline editing refers to editing a proxy of the original source footage online editing is cutting the original material.

What type of footage will you be editing: R3D, CinemaDNG, ProRes, XAVC S, mp4? How complex are your projects: single shot, single camera, multi-camera, animation, VFX? What are your output formats? How long do you have to deliver your edits? Finally, are you editing online or offline? Offline Editing, Nothing to Do With the Web To start editing 4K video, youвЂ™ll first need to ask yourself some questions about your projects. Determining your 4K editing needs, both now and in the near future may take some time, but it will ensure that you purchase an editing system than can handle all the projects you'll be working on, the type of footage you'll be editing and the length and complexity of the edits.

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